Thursday, March 22, 2012

RANDY'S GROOVY BLURB BOOKS!








PORTFOLIO REVIEW EVENT--APRIL 24th

Professional Reviewers--might want to make contact with them at the Y!
Adam Rowe (erowe design)
Laura Coe (Laura Coe Design)
Bobby Buchanan (Buchanan Design)
Tyler Blik (Tyler Blik)
Ron Miriello (Miriello Grafico)
Dave Adey (you know)
Min Choi (Mentus)
Max Escobedo (Maximo Inc.)
Dave Conover (Conover)
Scott Mires (MiresBall)
Jason Moll-(MiresBall)
Peter Horjus (Peter Horjus)
Steve Simpson (Steve Simpson Photo)
Joel Sotelo (Joel Sotelo Design)
Amy Levine (Visual Asylum)

Tuesday, March 20, 2012

OPTIONAL NEW PROJECT

AIGA GET OUT THE VOTE
AIGA will again mount a campaign to demonstrate the power of design in the public arena by
encouraging designers to contribute to a coordinated get-out-the-vote campaign for national
elections in Fall 2012. This builds on the 2004 and 2008 campaigns that placed more than
100,000 AIGA posters in public places in communities across the nation as well as provides
a resource for any web user to download a pdf version to print and post or share virally. The
objective is to demonstrate the value of design to citizens, public officials and businesses by
providing a clear call to action for an activity that is important to everyone.

The primary conduit for the 2012 campaign is an open online gallery of members’ designs—
nonpartisan calls to action bearing a national AIGA campaign identity— that will be posted on
the website and available for downloading, printing and sharing. Any AIGA member will be
entitled to post a design in the open gallery. This will become the largest gallery of available
designs in support of this critical civic function.

For those members who prefer to submit a video or motion graphics solution, the online gallery
will offer guidelines for this type of submission as well.

All submitted and selected poster and video designs will be made part of AIGA’s permanent
archives, as well as being offered to the archives of the International Foundation on Election
Systems in Washington, D.C. Printed posters will be given to the Library of Congress for its
poster collection.



PORTFOLIO DUE DATES

DUE MARCH 16th
A.  Comp of the Portfolio Cover design ----with few words, we should be able to SEE the design intent for your cover
B.  If you've purchased your portfolio book, bring it in
C.  Presentation of all projects in a PDF form, I want to see all the projects, logos in whatever form they are in to date (all of your portfolio projects should be complete)
D.  Rough layout of your entire portfolio book, with placeholder photos for projects
E.  Sample of the photographic style you intend to use
F.  Detailed schedule for the work you have to do to complete all printed out of the next 5 weeks (only 5 weeks left until our REVIEW from March 16th)
    -finishing up any projects, making comps for photo shoots, scheduling photo shoots, getting props together
DUE MARCH 23
1. All of the above if you haven't already presented
2. A Print out of all projects, so that I can mark them up with suggestions/changes

WEEK OF 3/26 (Tues/Thurs- afternoon)
SIGN UP FOR AN INDIVIDUAL 15-MINUTE ONE-ON-ONE APPOINTMENT WITH ME TO GO THROUGH ALL YOUR WORK, PORTFOLIO, PROPOSED SCHEDULE ETC.
(you will need to be prepared, organized and ready to go)

Tues 3:30-3:45, 3:45-4:00, 4:00-4:15, 4:15-4:30, 4:30-5(Chloe), 5-5:15, 5:15-5:30, 5:30-5:45

Thurs 3:30-3:45(AJ), 3:45-4:00, 4:00-4:15, 4:15-4:30, 4:30-5, 4:45-5(Katie), 5-5:15(Lindsay), 5:15-5:30(Kristina), 5:30-5:45

Friday, March 2, 2012

SPRING BREAK----NO BREAK

THIS IS A CRITICAL TIME-----YOU CAN NOT AFFORD TO TAKE A BREAK

PLEASE FEEL FREE TO a. send me stuff for review, b. call/email and come by my office during the break.

A.  Comp of the Portfolio Cover design ----with few words, we should be able to SEE the design intent for your cover
B.  If you've purchased your portfolio book, bring it in
C.  Presentation of all projects in a PDF form, I want to see all the projects, logos in whatever form they are in to date (all of your portfolio projects should be complete)
D.  Rough layout of your entire portfolio book, with placeholder photos for projects
E.  Sample of the photographic style you intend to use
F.  Detailed schedule for the work you have to do to complete all printed out of the next 5 weeks (only 5 weeks left until our REVIEW from March 16th)
     -finishing up any projects, making comps for photo shoots, scheduling photo shoots, getting props together



In the back of the portfolio be sure to include a page of credits, where you acknowledge the following:
-any sources for illustration or photography that are not your own
-your instructors
-any friends or companies that assisted you, printers, Inscriptu
-paper use, typography used, printing techniques used